When you do that after having selected a couple of articulations of an instrument with the mouse, the circle graph that shows up is divided into as many parts as you have articulations in your selection.
LOGIC PRO X TUTORIAL 2017 ORCHESTRAL FULL
The trick is to use the Performance section of SINE Player to its full capacity, meaning you use the Poly button.
It turns out you can actually do this inside SINE Player without having to fiddle with Logic Pro’s regions.
LOGIC PRO X TUTORIAL 2017 ORCHESTRAL HOW TO
Instead of picking up the user guide again and read the section that covers this again, I tried figuring out myself how to add an ornament to a sustain part and I came no further than to record it on a separate track and then carefully placing it sounds like it’s one smooth movement.
Now, if you record a Sustain articulation to a track in your DAW, the sound of the instrument is quite “flat” there’s no tremolo or any other kind of variation at the end. In Miroire as well as in Andea and probably in every other Orchestral Tools collection, you can select articulations such as Sustain, Ornaments, Vibrato, Tremolo, Marcato, etc. So, when I wrote the piece on Miroire and Andea, I composed a short piece of music (not on any level that I might want you to hear it, mind you). You see, when I review software or, in this case, a sound creation plug-in, I try to run the product through its paces and see how far I can go with it without being a full-time, professional musician/photographer/filmmaker, whatever. OK, what I couldn’t keep to myself is this: SINE Player is a playing environment inside your DAW - I wrote that in the review on the Andea collection, but what I covered in that review is far from the whole story. In one of them, their founder Hendrik Schwarzer guides you through the plug-in and points out that you can download some free collections as well - all recorded in those same famous Teldex studios! By the way, Orchestral Tools has a bunch of videos they made themselves. Shame on me as - although I did read the user guide - what the guy in the video is talking about never made it to a useful level of consciousness. As you may have discovered already I have been reviewing some of Orchestral Tools’s music sound collections and so far I’ve been impressed, but I just minutes ago stumbled into a video that made me realise I’m not even scratching the surface yet.
0 kommentar(er)
